Book Review: ‘The Girl Who Rode Dragons,’ by Arthur Butt

5-stars for ‘The Girl Who Rode Dragons,’ by Arthur Butt.

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‘Fun and inspiring’

When approaching the review of a fantasy novel, one must ask five fundamental questions. And perhaps a billion others. (Okay, maybe not a billion. But a lot.)

  • Is it engaging on a level suitable for the target audience?
  • Would it engage and satisfy readers outside that target range? Adult readers.
  • Does it bring in fresh ideas?
  • Did it transport me out of my real world and into the fantasy realm creation of the writer?
  • Does it make a statement? Some semblance of the writer’s social, moral, political or philosophical intent that drove him/her to pen this story?

There are other questions one uses when critiquing a novel. Of any genre. Does the The Girl Who Rode Dragons_Arthur Buttauthor understand story structure? Does the story touch the reader on an emotional level? Are the characters believable and well-developed? Is there a hero with a clearly defined goal? Does the author entice the reader to care that the hero/protagonist reaches that goal? Is the plot coherent? And perhaps 100 (Better?) others that deal more with the minutia of good storytelling.

I would argue, after having read, ‘The Girl Who Rode Dragons,’ that this story satisfies all these questions.

The book targets young readers but is certainly a satisfying read for those of us who’ve somehow managed to sustain our imaginations and know how to step away from reality for a fun adventure into a realm where magic and magical creatures exist and where one is freed from the constraints of our rational minds. Those disrespectful overlords of ours determined to make us scoff at whimsical creativity and have a bad time while reading something fun.

The book is certainly engaging – For young and mature readers. Standing somewhere between those benchmarks, I found it wonderful. The story follows a young girl who, because she’s a girl, is not allowed to do the one thing she desires most. Ride dragons. How can one not find something like that engaging?

Though one may claim using dragons, a fantasy device used since the Middle Ages, removes that freshness I mentioned, I would argue that Arthur Butt breathed a new approach into this story by making Jackie (The story’s protag) desirous of becoming the town’s first girl dragon rider in a realm where girls are excluded from this quest. (There are many other fresh ideas I’ve chosen to leave for you to explore once you receive your copy of this exceptionally cool book.)

I was certainly transported away and into Mr Butt’s fantasy world. It’s adequately described, and after a while, I was right there with Jackie when the dragon egg she finds hatches looking ahead to her eventually riding it.

There are several praiseworthy statements in this clever, imaginative story including: ‘Girls are as capable as boys and should be treated as equals,’ and ‘You can achieve your goals if you believe in yourself and persevere.’

As for the billion, well, one hundred, other questions I consider when critiquing a book, I will offer this brief summary:

Yes: Mr Butt is a fine storyteller who understands story structure, character development, the hero’s journey, and all other facets of good storytelling.

Yes: Jackie (The protag) has a clearly defined goal, and I was cheering her on as she…. (Just click the link in the book cover and get a copy, okay?)

Yes: The characters are believable. Strip away the fantasy, place them in a present-day context and they’d fit right in. The family interactions are real. As is Jackie’s rebellious personality. Transpose the quest to ride dragons into a quest to play football, or be on the maths club, and the story would still work. Well!

Yes: I wanted Jackie to reach her goal from the first scene when she stated her desire.

What I liked most:

Story:

This is a well-written story that follows a logical path with many rewards along the way. I love a story that entices you to care about the main character and fills a nicely mapped outline with fresh ideas, sentimental circumstances and meaningful statements.

Character development:

Jackie (Jaqueline) is driven, determined, rebellious, sweet and lovable. Arthur Butt is equally good with writing characters as he is with story. I played The Girl Who Rode Dragons in my mind as a film, and, as a writer and screenwriter, I was drawn into the idea of converting this to a film script and pitching it to those clever writer/directors over at Disney and Pixar.

Criticisms:

I have but one. Certainly, nothing that would preclude me from handing this a 5-star rating and my highest recommendation.

Short chapters, concentrating on one scene or scene sequence, work better with young readers. Their attention spans are held in a tighter grasp when a chapter begins on a beat and moves logically through to a closing point. Though the author’s chapters are not long, I believe this book would reach an even a younger audience with shorter, more concise chapters.

Summary and Recommendation:

‘The Girl Who Rode Dragons,’ by Arthur Butt, offers everything an avid fantasy reader looks for in a novel and more. It’s sentimental without being maudlin or gushy. It’s intelligent, inspirational, and above all, it’s fun.

I give the ‘The Girl Who Rode Dragons,’ by Arthur Butt a 5-star rating and my highest recommendation.

Review by T. E. Mark – Writer / Screenwriter.

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Book Review: ‘For the Love of Politics,’ Anthology by Wild Dreams Publishing

4.5-Stars for ‘For the Love of Politics,’ Wild Dreams Publishing

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‘Stylistic and diverse’

Anthologies are a treat for avid readers as they allow them to consume a variety of complete stories – often in a single sitting while sampling different writing styles. Occasionally from different genres.

On the other hand, reviewing a book of short stories presents specific challenges:

  • Were the stories equally engaging?
  • Were they equally well-written?
  • How will I assess the collection if the answers to the above questions are no?

Fortunately, with one exception, due in part to the sheer diversity of styles and the literary prowess Forthe Love of Politics_2of each writer, I was not forced to confront that third question.

‘For the Love of Politics,’ is a rich selection of short stories compiled by Wild Dreams Publishing and presented as political romances. But I found them to be much more. They’re finely crafted character-driven dramas wrapped in political settings with romance and occasional sexual situations as significant, though never dominating, sub-plots.

This made reading this anthology pleasurable as I embrace the art of story, and more specifically, the art and craft of character-driven story. I’m also a fan of stylistic writing, and each author in this compilation displays exceptional stylistic talent.

I was struck while reading this, how unique each story was. The diversity made the adventure fun.

A man running for the US Senate who, though in a torrid love affair with one woman, finds himself pulled to the apparition of another drawn from his subconscious. The fantasy and mystery element here made this my favourite of the nine stories. A Whisper of Wings, by M. E. Giguere

An American diplomat falling for a Nigerian politician/businessman in the US to gain support for a farming initiative. Well written and interesting but moved a bit too quickly. Not Just Politics, by Tanya DeLoatch

A woman hired as a lobbyist to persuade a Senator’s vote on an education issue who must choose between her mission and her integrity when the married politician attempts to seduce her. Nice, sophisticated style – admirable attention to detail as the author explores the lobbyist’s inner conflict. The Lobbyist’s Dilemma, by S. L. Heinz

A 48-year-old driven woman – destined for a life in politics, accompanies a senator’s wife to Nepal following an earthquake where she finds love and a better understanding of herself. Clean writing. Nice structure and character development. The story is well told, and the love affair and explicit sex, though there, simply work to support the main plot. The Gift of Foresight, by Kris Lomonaco

A wonderful tale in the form of a Historical Fiction / Adventure with Dante, a young ambassador despatched from ancient Babylon to India where he is to present himself to the Queen – The Spinster of India. This story is nearly free verse poetry and was an absolute joy to read. The Spinster of India, by Hunter James Luck.

A clever first-person account of a female Secret Service agent asked by the American president and first lady to take charge of their 17-year-old son while the first lady undergoes cancer treatment. This story has a gritty realism about it as the author allows her protagonist to expound on her inner feelings throughout. Impasse, by Tina Maurine.

Volition, by Tina Maurine  An abbreviated version of a longer story, this one offers little more than a setup to a romantic situation. I sensed no real story here.

A Promise Kept, by Mary Darlene Messina – A young woman accepts a live-in caregiving position after her husband dies and finds a remedy for her loss, a new accepting family and a new direction. Nice, stylised, inspirational writing with a strong theme.

River, by Jude Ouvrard – A clever, witty piece of a 30-year-old young man, the son of the US President working in some capacity at the White House, who decides politics just isn’t his thing. He gets up, makes his formal announcement and literally bolts with a smile. I chuckled from the beginning to the end of this one. Smart writing. The rebelliousness of Dawson, the story’s protagonist, seemed very real. The writer also writes fluid dialogue.

Electing Ellie by Michelle Rene – In a small-town mayoral election, a young teacher receives the support of the student body and of her family. This is a nice piece. The author writes from the heart and literally commands you to like her protagonist. I also enjoyed the narrative. Nice style.

 What I liked most:

Variety:

Reading different authors is always fun and often instructive. One gains an appreciation of different styles, phrasings, vocabulary and approach to storytelling.

As a writer and screenwriter, I find reading different writers’ work invaluable. Quoting Stephen King: ‘If you are to be a good, versatile writer, you need to read broadly – covering all genres. Not just the ones in which you write.’ I love that quote and follow it.

I find reading a learning experience. Whether it’s a good Sci-Fi piece, my favourite genre, a Fantasy, Historical Fiction or Romance, there is something to be learned in every piece of literature. And I thoroughly enjoyed this nicely written collection

 Criticisms:

With an anthology of nine individual stories, I certainly found areas deserving criticism. Nothing spectacular – worth mentioning here, and nothing that would lessen my 4.5-Star rating and High Recommendation

Summary and Recommendation:

For the Love of Politics is a clever anthology of dramatic short stories. They’re unique, diverse and display a broad range of literary talent.

Without hesitation, I give For the Love of Politics a 4.5-Star rating and a High Recommendation.

Review by T. E. Mark – Writer / Screenwriter

Book Review: ‘The Girl Who Rode Dragons,’ by Arthur Butt

5-stars for ‘The Girl Who Rode Dragons,’ by Arthur Butt.

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‘Fun and inspiring’

When approaching the review of a fantasy novel, one must ask five fundamental questions. And perhaps a billion others. (Okay, maybe not a billion. But a lot.)

  • Is it engaging on a level suitable for the target audience?
  • Would it engage and satisfy readers outside that target range? Adult readers.
  • Does it bring in fresh ideas?
  • Did it transport me out of my real world and into the fantasy realm creation of the writer?
  • Does it make a statement? Some semblance of the writer’s social, moral, political or philosophical intent that drove him/her to pen this story?

There are other questions one uses when critiquing a novel. Of any genre. Does the The Girl Who Rode Dragons_Arthur Buttauthor understand story structure? Does the story touch the reader on an emotional level? Are the characters believable and well-developed? Is there a hero with a clearly defined goal? Does the author entice the reader to care that the hero/protagonist reaches that goal? Is the plot coherent? And perhaps 100 (Better?) others that deal more with the minutia of good storytelling.

I would argue, after having read, ‘The Girl Who Rode Dragons,’ that this story satisfies all these questions.

The book targets young readers but is certainly a satisfying read for those of us who’ve somehow managed to sustain our imaginations and know how to step away from reality for a fun adventure into a realm where magic and magical creatures exist and where one is freed from the constraints of our rational minds. Those disrespectful overlords of ours determined to make us scoff at whimsical creativity and have a bad time while reading something fun.

The book is certainly engaging – For young and mature readers. Standing somewhere between those benchmarks, I found it wonderful. The story follows a young girl who, because she’s a girl, is not allowed to do the one thing she desires most. Ride dragons. How can one not find something like that engaging?

Though one may claim using dragons, a fantasy device used since the Middle Ages, removes that freshness I mentioned, I would argue that Arthur Butt breathed a new approach into this story by making Jackie (The story’s protag) desirous of becoming the town’s first girl dragon rider in a realm where girls are excluded from this quest. (There are many other fresh ideas I’ve chosen to leave for you to explore once you receive your copy of this exceptionally cool book.)

I was certainly transported away and into Mr Butt’s fantasy world. It’s adequately described, and after a while, I was right there with Jackie when the dragon egg she finds hatches looking ahead to her eventually riding it.

There are several praiseworthy statements in this clever, imaginative story including: ‘Girls are as capable as boys and should be treated as equals,’ and ‘You can achieve your goals if you believe in yourself and persevere.’

As for the billion, well, one hundred, other questions I consider when critiquing a book, I will offer this brief summary:

Yes: Mr Butt is a fine storyteller who understands story structure, character development, the hero’s journey, and all other facets of good storytelling.

Yes: Jackie (The protag) has a clearly defined goal, and I was cheering her on as she…. (Just click the link in the book cover and get a copy, okay?)

Yes: The characters are believable. Strip away the fantasy, place them in a present-day context and they’d fit right in. The family interactions are real. As is Jackie’s rebellious personality. Transpose the quest to ride dragons into a quest to play football, or be on the maths club, and the story would still work. Well!

Yes: I wanted Jackie to reach her goal from the first scene when she stated her desire.

What I liked most:

Story:

This is a well-written story that follows a logical path with many rewards along the way. I love a story that entices you to care about the main character and fills a nicely mapped outline with fresh ideas, sentimental circumstances and meaningful statements.

Character development:

Jackie (Jaqueline) is driven, determined, rebellious, sweet and lovable. Arthur Butt is equally good with writing characters as he is with story. I played The Girl Who Rode Dragons in my mind as a film, and, as a writer and screenwriter, I was drawn into the idea of converting this to a film script and pitching it to those clever writer / directors over at Disney and Pixar.

Criticisms:

I have but one. Certainly, nothing that would preclude me from handing this a 5-star rating and my highest recommendation.

Short chapters, concentrating on one scene or scene sequence, work better with young readers. Their attention spans are held in a tighter grasp when a chapter begins on a beat and moves logically through to a closing point. Though the author’s chapters are not long, I believe this book would reach an even a younger audience with shorter, more concise chapters.

Summary and Recommendation:

‘The Girl Who Rode Dragons,’ by Arthur Butt, offers everything an avid fantasy reader looks for in a novel and more. It’s sentimental without being maudlin or gushy. It’s intelligent, inspirational, and above all, it’s fun.

I give the ‘The Girl Who Rode Dragons,’ by Arthur Butt a 5-star rating and my highest recommendation.

Review by T. E. Mark – Writer / Screenwriter.

Book Review: ‘The Girl in 411,’ by Amber Skye

5-stars for ‘The Girl in 411,’ by Amber Skye

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‘Sophisticated, steamy and smart.’

Approaching the review of ‘The Girl in 411,’ an extremely well-written piece of erotica by Amber Skye, I found myself confronted with two challenges.

The Girl in 411_Amber SkyeOne was how to critique it based on the essentials of good storytelling: Story structure, character development, plot, pace, etc. And the other was how to critique it on its secondary intent. Was it sexually stimulating?

There was actually a third. This is a genre I rarely read. Not that I’m burdened with any cumbersome morality issues. I just struggle to keep up with the genres I like most: Science Fiction, Fantasy / Adventure, Historical Fiction, Romantic Comedies, and a few others, while writing my own books and screenplays.

So, facing those challenges, I decided to critique this piece differently than I would any other genre. Focusing mainly on the writer’s style and the book’s secondary intent.

Please feel free to let me know if I’m on the right track.

Amber Skye is a stylistic writer who understands the craft, and, I will assume, has studied creative writing extensively. She’s clear, focused, has a worthy vocabulary and knows the basics of story and scene.

The story is logical and believable, the characters seem real enough, and Ms Skye ventured more deeply into her characters’ identities and motivations than one might expect from an erotica piece.

The story revolves around Jennifer, a private nurse, who moves into an apartment following the death of an elderly woman she was tasked with caring for.

Shortly after moving into her apartment, Jennifer encounters Zoey, a feisty neighbour who decides to claim Jennifer as her submissive lover.

Though the sex scenes are explicit, targeting Lesbian, Bi-sexual, or Bi-sexually curious women, the writer took time to explore her character’s innermost feelings about the affair. Her conflict as she sought to rationalise her desires while awarding herself the justification for exploring this alternative sexual relationship.

This is a clever approach. And real.

The author certainly deserves praise for delivering something more than a simple-minded piece that wanders haplessly from one sex scene to another forgoing the interest in making the reader think, feel for and perhaps identify with her characters, while they’re sweating away in sexual bliss turning the pages.

As for whether the scenes are explicit and well-written enough to be stimulating, I will only say this. I cannot imagine a woman anywhere with even a minor girl fetish, or curiosity NOT finding this a satisfying, stimulating read. This is steamy writing at its best that also explores character.

What I liked most:

Character:

As I stated above, the author used her sophisticated writing style and literary prowess to provide insight into her main character’s thought processes regarding a burgeoning sexual affair with a female neighbour.

As a screenwriter, I’m called upon to write for all types of characters. Reading this gave me insight into how a woman would perceive this type of relationship and the inner conflict she might face. One day I may write and thank Ms Skye for granting me the insight on how to write one of my characters better than I would have had I not read and analysed this work.

Writing style:

Amber Skye is a clever writer who uses her literary devices well. She does something I believe only good writers do. She tells her story as if she were sitting on the sofa next to you reciting it aloud. This is a smart, typically successful technique all writers should practise.

 Criticisms:

Only one, and nothing that would lessen my 5-Star rating or high recommendation.

Periodically the dialogue seemed unnatural. At other times it was very natural. This is a common problem even with veteran writers. It very well may be the most challenging part of the storytelling process.

Summary and Recommendation:

‘The Girl in 411,’ by Amber Skye is a skilfully written piece of erotica fiction. The story is solvent and well told, and the characters are well described physically and intellectually.

NOTE: Because of the content and explicit sexual situations, this is certainly not reading material for everyone. One should adhere to Ms Skye’s age appropriate recommendations before venturing into this piece.

Without hesitation, I give ‘The Girl in 411,’ by Amber Skye 5-stars and my highest recommendation.

Review by T. E. Mark – Writer / Screenwriter.

Book Review: ‘Circuits of the Wind,’ by Michael Stutz

5-stars for ‘Circuits of the Wind’ by Michael Stutz

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‘Brilliant’

Couple a well-told story with rich poetic writing and the result is the ultimate in literary indulgence.

A quote from Ch 9:

‘For that is time: a low, long whisper in the wind. Reaching out like the flailing arms of long-dead spectres comes this call of time, and here the heavy doleful rain will weep and fall, and there begins the washings of another year.’

Brilliant

Circuits of the Wind, by Michael Stutz, has everything I look for in a story, and more.

Circuits of the WindProfound and poetic writing: Memorable lines brighten the pages in this lush, meaningful novel revealing an author with almost unrivalled ability.

A rich narrative: The author’s storytelling is artistic and sophisticated. At times you can almost hear him reading this work to you making it dynamic, aesthetic and effortless.

Realistic dialogue: Sparkling! I would be surprised to find that this author has not, at some point in his career, written for TV or the cinema where one truly develops the craft of writing realistic dialogue.

Solid story structure: The progression is logical and smart. Never does Mr Stutz lose focus or sight of the finish line. I have no doubt he outlined each chapter and worked from a scene sequence. Mandatory for screenwriters, these invaluable tools are often neglected by novelists.

I’ve read books or film scripts with exceptional storylines, and I’ve read books or scripts where the story was rendered less important simply by the literary prowess of the author. Seldom have I found both in the same book as I did with this gem.

Circuits of the Wind is one of those rare works that would be a compelling read based solely on the story but was made exceptionally compelling by an author with unparalleled literary talents.

Here are a few more of the memorable lines which caught my attention. The book is literally filled with outstanding quotes:

‘Somewhere, adults were working hard to make the whole world magic.’

                                                                                                                              Simple but brilliant.

‘He believed in this distant world, longed to be a part of it, and came to love the big electric box that provided him the windowed view.’

                                               Outstanding. This is nearly Ray Bradbury or E. E. Cummings.

‘He knew that there was somewhere to go with them, somewhere far beyond us here — that there was something real and living to be had among the brilliant magic. He had to find it.’

                                                                                                                                                Masterful.

What I liked Most:

The Writing

I love poetry and poetic prose. I knew from page one I was going to enjoy this book. It reminded of the first time, as a young boy, I cracked open The Martian Chronicles by Ray Bradbury and said – this is how I’ll write one day.

It’s hard to imagine my saying this, but I enjoyed reading Circuits of the Wind as much, if not more than many of my favourite writers. Including Bradbury, Cummings and Marquez.

The Story

This is a nicely organized story of a boy, Raymond Valentine, growing up during the evolution of computers, and more specifically, the internet.

The story follows Raymond’s personal growth which is inextricably intertwined with the development of the internet and online chat rooms and electronic communications with strangers from abroad – something we take for granted now but didn’t three decades ago. The historical review is enlightening for those of us who’ve grown up with computers and the net, and, I would imagine, refreshing for those whose life may have mirrored Mr Stutz’s enthusiastic main character.

Raymond relishes in the purchase of his first computer. Reaches Nirvana with the acquisition of his first modem and achieves a heightened awareness when he chooses his first online alias and begins his career as a hacker.

Criticisms

I have none. I enjoyed this book from the opening page to the very end.

Recommendation

This is an extremely well-written book. If you like a meaningful story and enjoy powerful, poetic writing, pick up a copy. I guarantee you will not be disappointed.

I give Circuits of the Wind by Michael Stutz a 5-star rating and my highest recommendation.

 

Review by T. E. Mark – Writer / Screenwriter

Book Review: ‘A Life in the Shadow of the Crown,’ by A. Piper Burgi

5-stars for “A Life in the Shadow of the Crown” by A. Piper Burgi

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‘Delightful’

Historical Fictions are inherently difficult for a writer. Their love of history, and innate desire to share their knowledge, to teach, often causes them to lose sight of their A Life in the Shadow of the Crownmission: Capture their readers on an emotional level by connecting them with their characters, while placing the fictionalised story into a historical context.

In addition, the writer must contemporise the story where needed for today’s reader, keep it moving, and avoid the potential trap of having her story read too much like a history text.

Piper Burgi has succeeded with all the above in her newest book ‘A Life in the Shadow of the Crown,’ delivering a warm story that is as heartening as it is meaningful and as fanciful as it is historically accurate.

As one reads this delightful retelling of the plight of the young Empress Elisabeth ‘Sisi’ of Austria-Hungary, struggling to acclimate herself under the constant supervision of the meddling Arch-Duchess Sofie, her mother-in-law, one cannot help but feel compassion for the Empress – often hostility for the dominance that manifests in the reader’s mind as abusive and cruel.

Life for the young Bavarian tomboy princess in the 19th-century Austrian court is never easy. Every public statement is scrutinised or derided; and what she wears, who she associates with, where and when she travels is often scorned for their perceived political statement.

It’s a life that is certainly believable, and with wonderful clarity, Ms Burgi weaves her tale so that one never truly knows how much of the story is fictionalised. This, in itself, is crafty historical fiction writing.

Other things I found praiseworthy:

Without slowing the pace, a definite potential, the author spends adequate time developing her supporting characters making you care for or dislike them.

The side stories are never haphazardly tossed in, reading like filler or distracting journeys away from the main plot, and the changing settings, which could be confusing, aren’t. They drive the story and quicken the pace of the read making this more consumable for today’s reader.

What I liked most:

The character-driven story

A good story – a good compelling story needs a likable and relatable, or at least admirable, hero or heroine. And that hero or heroine needs to be on a journey. And they need a goal. And they need to have and overcome formidable obstacles.

The new Empress is the consummate heroine on a clearly defined journey facing a wide assortment of obstacles. One feels for her – feels defensive for her while hoping to see her win by finding her place and the inner strength to assert herself amongst the aristocratic elite.

The balancing act: Fiction / History

I share with the author her love of history and appreciate when I can honestly state a book nurtured me as much as it entertained me.

A well-written historical fiction is a precious gem in disguise. One reads a smart tale, gets swept into the characters’ lives and journeys, and without working at it, comes away enriched. Filled with a portion of our history he/she may never have researched or found.

Criticisms:

I have none. This book was a pleasure from the opening timeline, (A smart device) to the very end.

Summary and Recommendation:

‘A Life in the Shadow of the Crown’ easily satisfies my criteria of a 5-star read. It’s smart, well-written, sentimental without being gushy or maudlin, flexible (Readers 8-88 would find this enjoyable) rich and historically accurate. The writer uses her literary devices well and craftily commands you to care about her hero’s journey.

I give A. Piper Burgi’s ‘A Life in the Shadow of the Crown’ 5-Stars and my highest recommendation.

 

Review by TE Mark – Writer / Screenwriter

 

NOTE: This book is presently in pre-release. Follow this link to the author’s website for updates. http://www.authorapiperburgi.com/

 

Book Review: ‘Kiss Me When I’m Dead,’ by Dominic Piper

5-Stars for ‘Kiss Me When I’m Dead,’ By Dominic Piper

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‘Slick and Compelling’

Kiss Me When I’m Dead, by Dominic Piper, may well be the smartest crime tale I’ve read to date. It’s not only compelling, it’s craftily compelling as the author used his Kiss Me When I'm Deadliterary skills and story-telling abilities with masterful precision.

Chapters are planned out, obviously outlined, and delivered like a film script with the obstacles and intentions clearly recognisable. This is the sign of a veteran writer. Also, I’d say, someone who may have written in the film or TV industry. The chapters begin on the beat and often end with a slick teaser enticing, almost commanding you to read on.

The dialogue is real, smooth, and the narration (PI Daniel Becket’s first-person accounting) is strong and clever.

As a writer and screenwriter, I found so much right with this book it’s difficult for me to elaborate on the neat devices Mr Piper used with such fluency without sounding like a lecturer in a class on Literary Criticism.

If you follow my reviews, you’ll notice I’ve chosen, with this book, to abandon my typical format. I’ve done so as to avoid surrendering spoilers. With a mystery / crime investigation story such as this, with numerous creative twists, I felt I’d be doing the reader and author a potential disservice.

I will say, however, that Daniel Becket’s investigation into the disappearance of a wealthy weapons dealer’s daughter, will take him deep into a very diabolical world where he, and you the reader, will draw conclusions of what’s coming next, feel certain you’re right, then dispense with them when something unexpected evolves.

This, in itself, makes Kiss Me When I’m Dead an outstanding read.

What I liked most:

Story

One can usually tell when a story has been outlined. The scenes are often more precise. They have conflict, and as I described above, clearly identifiable intentions and obstacles.

Mr Piper shows his literary prowess by offering scenes that are miniature stories. Yet another sign of a skilled, veteran writer.

Characters

Mr Piper’s characters are believable, adequately described, and don’t all sound the same. But above all, and more importantly, they’re interesting.

Becket, though the least described physically, comes to life through his first-person narration. He’s talented, confident, slick, great with women (They seem to hit on him wherever he turns) driven and competent.

He’s the consummate hero we guys all want to be. Ethical, moral, resourceful, driven to succeed and smooth with attractive women drawn to him as if by gravity or magnetism.

The sexual theme

Mr Piper obviously wanted this to be a sexy crime investigation story and wrote it quite well. The sexual theme is strong, sensual at times, not overly explicit for this genre, and never overwhelms the main theme. Someone evil may have done something bad to a young girl who, for various reasons, has found herself in a dangerous, often degrading lifestyle.

Criticisms:

I have none. This story held my attention as much as any book I’ve read this year. Actually more!

Summary and Recommendation:

Kiss Me When I’m Dead is a clever mystery, crime investigation story with a carefully handled, well-executed sexual theme. The world in which PI Daniel Becket must delve is prostitution, and, as in real life, one can expect that some of the players are nice and some are not.

Without hesitation, I give Kiss Me When I’m Dead 5-stars and my highest recommendation.

 Review by TE Mark – Writer / Screenwriter

Book Review: ‘Amy Goes Pop,’ by Poppy Goodhead

4-stars for ‘Amy Goes Pop’ by Poppy Goodhead

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‘Stylistic and Playful’

I have no reservation saying, that with all the reading I’ve done before and since college, the two genres I’ve neglected most are horror and erotica. Not for any specific reason, The Complete Adventures of Amymind you. I state, without hesitation, that I am one person on this nutty rock swimming about in space not burdened with any congenital or developmental morality issues. Thank God! There’s just a lot to read in the genres I enjoy and write most. Those being Science Fiction, Adventure, Romantic Comedies, Satire, Historical Fiction and Classics.

In an effort to expand my horizons, something I excel at and do often – simply because I excel at it, I decided to pick out a piece by an erotica writer I found at Twitter (I believe in supporting my fellow writers, BTW – As we all do, right?) and explore this genre and share my review.

So, what did I find with Poppy Goodhead’s AMY GOES POP?

What intrigued me most about this story was that it actually had one. And it was well-devised and well-written too. It also has a subtle wit and youthful playfulness about it I found distinctly enjoyable.

Amy Goes Pop is a fun, often mischievous, piece that along with the vivid sex scenes, has a well-developed sense of humour craftily planted just beneath the surface. Ms Goodhead, I believe, wanted her readers to enjoy themselves while skimming along with Amy and not take her sexual escapades too seriously.

The writer created believable characters, placed them into convincing settings, and allowed her characters to drive the plot forward. This is a standard screenwriting technique, and if I’m correct, Ms Goodhead, if not actively writing for film, has studied the screenwriting craft.

The Story

Amy Summers, the main character, is a between jobs cellist trying to find her way in the Amy Goes Popworld who has also discovered her sexuality. And has consciously chosen to explore it unabashedly.

She’s high-spirited, sharp, introspective, young and impulsive. She rarely questions her sexual desires, and when she does, it’s seldom whether she should or shouldn’t engage with others, it’s whether her overt interests in the engagements will be accepted.

Very noticeable is Ms Goodhead’s crisp, witty writing style. This is revealed early and carried on throughout. She’s clever with her literary devices, understands the need to add conflict in her scenes, and is equally competent with the broad and the more detailed strokes.

What I liked most:

The breezy, playful style.

As I stated above, I believe the author wanted her book to be a fun and slightly frivolous read with a smart sense of humour. i.e. Don’t take Amy too seriously. She’s a high-spirited girl enjoying her sexuality and wanting you the reader to enjoy it along with her.

Criticisms:

One that kept me from giving this a 5-Star rating.

Though the main character, Amy, is well developed, others, in my opinion, were not. A little more work on the secondary and ancillary characters would have added additional depth to this work and awarded the author the chance to develop additional conflict. And, as we all know, conflict = story.

Recommendation:

This is certainly not a book or genre for everyone. It’s well-written, Ms Goodhead is a talented writer who would produce fine lit in any genre she chose, but the sex scenes are explicit, and there will obviously be those who would find this material offensive.

For those of you without those ‘Inherent Morality Issues’ I spoke of, this is an enjoyable read. I give Amy Goes Pop 4-Stars and a High Recommendation.

Review by T. E. Mark – Writer / Screenwriter

Book Review: ‘The Short Stories of Loretta Leslie’

5-stars for ‘The Short Stories of Loretta Leslie’

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1 Called to Account

Loretta Leslie’s opening short story, Called to Account, is an amusing play on the evolution debate. It’s gently sarcastic, intentionally ambiguous, and craftily conceals the author’s personal stand. There’s no heavy religious rant here. Just a writer addressing a serious issue with a great sense of humour. Love it.

Loretta LeslieWhen Charles, we find a bit after the opening it’s Charles Darwin, is called upon in the afterlife to account for his Earthly activities, he will face difficult questions. And he’ll perform admirably even while addressing the omnipotent, omniscient I AM That I AM. (The Almighty – maybe)

The dialogue is clever, the wit laudable and the touch on such a delicate issue is crafty and almost mischievous.

What I liked most, was the way the author described the Eternal being, I AM. Witty, casual and with a precocious sense of humour. About mankind, and himself. (Why-oh-why must organised religion present God as dark, intransigent, mysterious and gloomy?)

I also liked the nifty twist at the end which gives just a hint of the author’s true stance on the creation vs evolution, religion vs science, oh-so-tiresome-and-weary argument.

Read the very end of this one 2x.

2 Super Heroes Bad Day

The Supers are back. This time arguing over chocolate, (But not really) human reluctance to tackle and solve global warming (Really) and ultimately being called upon, yet again, to save the world.

I just love the satirical nature of this piece and applaud Ms Leslie for using “supers” to present her argument that humans have such a thin grasp on reality, and such tragically misguided priorities it’d be laughable if it weren’t so pathetic.

3 And So Ended the Day of Men

A crafty little reproach of man’s short-sightedness and egotism. Also his unwarranted, convenient and often creative idealism.

In this clever short, the author takes an environmentalist poke in a nifty dialogue between strip miners over a book of Prophecies.

The slight is rational, thinly veiled and flippant. Also humorous. If we are to assume prophecies are inescapable, as Ms Leslie’s thesis goes, then what’s the point in the debate? Or, what’s point in even considering the debate. It’s a done deal. There is no debate. Board the bloody transports once we’ve trashed this planet and hope like hell we find another one we can trash.

This piece resonated with me as it underlines how ludicrous and moronic we are when we use shallow, convoluted arguments to submit ourselves to a rationalised doctrine or political platform i.e. “Our position is well supported, rational and justified, we just need a little time to slice, dice, mince and mash a few details that will provide the adequate support, rationale and justification for what it is we’re already doing – probably, ideally and most assuredly for profit and gain.”

 

Summary and Recommendation:

It’d be difficult, I believe, to name someone who enjoys clever satire more than I do. These three pieces are gems. Five stars and my highest recommendation.

 

Review by T.E. Mark – Author

You can find Loretta Leslie’s trio of short stories at: https://www.lorlesediting.com.au/

 

 

Book Review: ‘Welcome to the Apocalypse – Book Three – Primal Scream,’ by DL Richardson

5-stars for “Welcome to the Apocalypse – Book Three – Primal Scream” by DL Richardson

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‘Powerful’

“Somehow he’d found beauty in the darkness the way the Nexis had.”

This clever, meaningful passage is just one of the many that, in my mind, make the third, concluding book in the Welcome to the Apocalypse trilogy by D L Richardson stand out Apocalypse_3from the plethora of books in this genre.

Coupling the powerful writing with her almost unrivalled ability to place vivid images of her post-apocalyptic landscape in the minds of her readers, Ms Richardson, in her closing episode, has conquered two obstacles inherent in this sub-genre of Science Fiction.

She grasps the reader on an emotional level, an absolute must in all storytelling, and facilitates your seeing this ravaged, nightmarish world through the eyes of her characters.

But the world Ms Richardson creates here isn’t entirely bleak. This is a mistake I’ve noted novice writers make regularly and veteran writers do as well. A 300-page novel or two-hour film of constant gloom is hard on readers or an audience. The journey becomes a despondent slide rather than a roller coaster with occasional bright moments.

Ms Richardson cleverly relieves tension and lightens the mood through story granting the reader an optimistic view of a possible positive outcome. A survival. A new reality, certainly, but one that seems almost acceptable.

I’ll include no spoilers with this review as the writer wove a neatly organised story which included numerous twists making the read that much more compelling.

I will, however, include three additional passages I found meaningful to the story that also sparkle with imagination. As a writer and omnivorous reader, I am a huge fan of strong, often poetic, writing. DL Richardson offers up a generous assortment of well-written, profound lines that made reading this book enjoyable.

 

“Staring across the open land, Reis viewed the bleak grey skies that joined the land below like a blanket to choke them with longing.”  

“Sasha was aware of her existence but not of her death.”

“History had countless blueprints of failure, inked with the blood of overconfident men.”

Well-done, Ms Richardson.

What I liked most:

Story:

I’ve now read and reviewed this entire series. In it, DL Richardson did something I consider praiseworthy and rare. She did not recycle ideas. This book, specifically, presents a full menu of fresh settings,  scenarios, action sequences and twists.

I have a library full of books, sequels, I attempted reading but abandoned once I realised the writer was recycling and repackaging ideas they’d delivered in the previous book or books.

Story ensemble:

This is an ensemble piece with three, often four different, intertwined scenarios happening simultaneously. I like this type of story design and applaud authors who can pull it off without confusing the reader.

I had no difficulty following the varying paths laid out by the author.

Writing:

As stated above, I’m a huge fan of powerful writing. Strong lines, like the examples I’ve included, make reading, for me, fun. Ms Richardson is a powerful writer – obviously someone well-read. Her well-crafted, meaningful lines are abundant and never seem cumbersome or contrived.

                                                                                                                                                         

Criticisms:

Only one, and nothing that would lessen my 5-Star rating or high recommendation.

Ms Richardson included many characters in this piece. This can challenge the reader. I did, at times, find myself reading back to reacquaint myself with a specific character and their significance to the story.

Faster readers and readers who aren’t typically reading two to three books simultaneously would probably not experience this difficulty.

Summary and Recommendation:

Welcome to the Apocalypse – Primal Scream (Book 3) is a fast-moving Science Fiction adventure with imagination, heart, slick dialogue, a nice dose of sentimentality and above all, clever writing.

I give the closing instalment of DL Richardson’s Welcome to the Apocalypse series 5-Stars and my highest recommendation.

Review by TE Mark – Author.